12.21.2018

Samuel Fuller: Forty Guns (1957)



....Hollywood legend Barbara Stanwyck saddled up with writer-director Samuel Fuller ( "I Shot Jesse James", "Hell and High Water", The Baron of Arizona), for the pulp maestro’s most audacious western, a boldly feminist spin on the genre that pivots effortlessly between ribald humor, visceral action, and disarming tenderness. High-riding rancher Jessica Drummond (Stanwyck) commands a forty-strong posse of cowboys, ruling Cochise County, Arizona, without challenge. When U.S. Marshal Griff Bonell (Barry Sullivan) and his brothers arrive in town with a warrant for one of her hired guns, Jessica begins to fall for the lawman even as he chips away at her authority. With astonishing black-and-white CinemaScope photography, hard-boiled dialogue laced with double entendres, and a fiery performance by Stanwyck at her most imperious, Forty Guns is a virtuoso display of Fuller’s sharpshooting talents.



Barbara Stanwyck in FORTY GUNS from Criterion Collection on Vimeo.








    • Samuel Fuller
    • United States
    • 1957
    • 80 minutes
    • Black & White
    • 2.35:1
    • English
    • Spine #954

    Special Features



    • New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
    • New interview with director Samuel Fuller’s widow, Christa Lang Fuller, and daughter, Samantha Fuller
    • A Fuller Life (2013), a feature-length documentary by Samantha Fuller about her father, featuring filmmakers Wim Wenders, William Friedkin, and Monte Hellman; actors Mark Hamill, James Franco, Jennifer Beals, Bill Duke, and Constance Towers; and others
    • Audio interview with Samuel Fuller at London’s National Film Theatre from 1969
    • New interview with critic Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City
    • Stills gallery
    • PLUS: An essay by film scholar Lisa Dombrowski and a chapter from Fuller’s posthumously published 2002 autobiography, A Third Face: My Tale of Writing, Fighting, and Filmmaking
    New cover by Kim Thompson