One of a string of late-career masterworks made by Kenji Mizoguchi (A Geisha, The Love of Actress Sumako, Flame Of My Love, The Woman In The Rumor, Tales of Taira Klan) in the first half of the 1950s, A Story from Chikamatsu (a.k.a. The Crucified Lovers) is an exquisitely moving tale of forbidden love struggling to survive in the face of persecution. Based on a classic of eighteenth-century Japanese drama, the film traces the injustices that befall a Kyoto scroll maker’s wife and his apprentice after each is unfairly accused of wrongdoing. Bound by fate in an illicit, star-crossed romance, they go on the run in search of refuge from the punishment prescribed them: death. Shot in gorgeous, painterly style by master cinematographer Kazuo Miyagawa, this delicately delivered indictment of societal oppression was heralded by Akira Kurosawa as a “great masterpiece that could only have been made by Mizoguchi.”
A Story from Chikamatsu was restored by Kadokawa Corporation and The Film Foundation with the cooperation of the Japan Foundation.
