Martin Scorsese and Quentin Tarantino
are born storytellers, not just in their movies—which bear each
director's unmistakable stamp—but in their deep-seated appreciation for
the medium. While they hail from different generations—Scorsese was
among the first wave of film school grads in the mid '60s, and
Tarantino's rise coincided with the indie film revolution of the early
'90s—their passion and knowledge of cinema place them on equal footing.
No genre escapes their grasp, whether it's prestige studio releases or
B-movie potboilers, splashy musicals or noirish thrillers, art-house
fare or spaghetti Westerns. They've been dining on this grand buffet all
their lives, and it shows in their own work, in the characters they've
created, and the lens through which they view the world. This is a
particularly conspicuous year for both filmmakers: Tarantino's Once Upon a Time… in Hollywood has galvanized critics and audiences alike since its debut at Cannes, while anticipation runs high for Scorsese's The Irishman,
for which the director has spent considerable time in post dealing with
digitally de-aging his leads. The two sat down for the DGA Quarterly
to talk directors, influences and violence as catharsis, among other
topics. This is an edited version of their conversation. –Steve
Chagollan
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