2.18.2010
A SUICIDE NOTE FROM TEXAS.....
Joseph Andrew Stack was named as the pilot who crashed into the Echelon Building in Austin, Texas on February 18, 2010. According to the Austin Statesman, Stack left behind a suicide note/manifesto titled "Well Mr. Big Brother IRS man... take my pound of flesh and sleep well" on his website EmbeddedArt.com which is signed "Joe Stack (1956-2010) 02/18/2010." Stack's manifesto ended with, "The communist creed: From each according to his ability, to each according to his need. The capitalist creed: From each according to his gullibility, to each according to his greed" at the end of the long document.
According to several reports, Stack may have set his home on fire before crashing into the office building, which housed offices of the CIA and IRS. According to FOX News, the teenage-daughter of the pilot told authorities that her father had set fire to the house and took off in a plane. Local NTSB authorities said the plane crash may have been intentional. Two people were injured when the single engine Cirrus SR22 crashed into the building, located in North West Austin.http://www.wane.com/dpps/news/national/small-plane-hits-austin-business-tower-_32435796 http://www.cnn.com/2010/US/02/18/texas.plane.crash/?hpt=T17
The FAA said that the plane left the Georgetown airport, located in North Austin, at approximately 9:40 a.m. The plane slammed into the building creating a huge fireball and explosion at approximately 10:00 a.m. The smoke could be seen from a mile away. The pilot, Joseph Andrew Stack, did not have a flight plan and may have stolen the plane. Two people were hospitalized with injuries and one person was unaccounted for.http://www.wane.com/dpps/news/national/small-plane-hits-austin-business-tower-_32435798
2.16.2010
MORGAN FREEMAN...
2.15.2010
SPIRIT, AMERICAN, SOUTHWEST EPITOMIZE BAD CUSTOMER SERVICE
A New York doctor claims that he was booted from a Spirit Airlines flight for asking for water for his pregnant wife on Sunday.
Mitchell Roslin, the Chief of Obesity Surgery at Manhattan's Lenox Hill Hospital, says that after being grounded at LaGuardia Airport for two hours in a hot plane his attempts to get water for his 7-month pregnant wife were repeatedly refused.
Roslin informed the New York Post that flight attendants told him that it was "against corporate policy" to give him water before the plane was in the air.
The doctor was asked to leave the plane after continuing to plead for water---
HOW GOLDMAN PROFITED BY LENDING MONEY AND THEN PLACING BETS AGAINST THE LOAN...
It had worked before. In 2001, just after Greece was admitted to Europe’s monetary union, Goldman helped the government quietly borrow billions, people familiar with the transaction said. That deal, hidden from public view because it was treated as a currency trade rather than a loan, helped Athens to meet Europe’s deficit rules while continuing to spend beyond its means.
Athens did not pursue the latest Goldman proposal, but with Greece groaning under the weight of its debts and with its richer neighbors vowing to come to its aid, the deals over the last decade are raising questions about Wall Street’s role in the world’s latest financial drama.
As in the American subprime crisis and the implosion of the American International Group, financial derivatives played a role in the run-up of Greek debt. Instruments developed by Goldman Sachs, JPMorgan Chase and a wide range of other banks enabled politicians to mask additional borrowing in Greece, Italy and possibly elsewhere.
In dozens of deals across the Continent, banks provided cash upfront in return for government payments in the future, with those liabilities then left off the books. Greece, for example, traded away the rights to airport fees and lottery proceeds in years to come.
Critics say that such deals, because they are not recorded as loans, mislead investors and regulators about the depth of a country’s liabilities.
Some of the Greek deals were named after figures in Greek mythology. One of them, for instance, was called Aeolos, after the god of the winds.
2.13.2010
GREECE'S TOTALITARIAN "SOCIALIST" REGIME ARRESTS JOURNALIST...
Silence from Greece's mass media on journalist's arrest.
See Giloia's statement below:
Μετά την ολοκλήρωση της «φιέστας» και του τζούφιου "εντυπωσιακού σκηνικού" που «έστησαν» ο Μάκης Τριανταφυλλόπουλος με τον Γιώργο Ψαρρά και την καταφανή κατάρρευση οποιασδήποτε κατηγορίας που μου προσάπτουν θα ήθελα να τονίσω κάποια πράγματα:
Α). Ο νόμος που υποχρεώνει την αστυνομία να μπαίνει σε σπίτια και γραφεία πολιτών για πλημμελήματα θυμίζει απολυταρχικά καθεστώτα. Ένας ξεπερασμένος νόμος που εκθέτει μια χώρα που έχει γεννήσει την δημοκρατία και τον πολιτισμό. Αλήθεια αν μηνύσω κάποιο δημόσιο πρόσωπο επειδή έχω την υποψία ή την πληροφορία ότι κρύβεται πίσω από κάποιο blog θα γίνουν έφοδοι στο γραφείο και το σπίτι του;
Όλα αυτά χωρίς να έχει αποδειχθεί ΠΟΤΕ κάποιο ηλεκτρονικό ίχνος που να παραπέμπει στο συγκεκριμένο πρόσωπο;...
Β). Τα blogs δεν είναι αυτά που πρέπει να απασχολήσουν τις αρχές αλλά οι αθλιότητες και οι συκοφαντίες ανθρώπων που έχουν portal και sites τα οποία το κράτος επιδοτεί με διαφημίσεις για να στοχοποιούν και να διασύρουν πολίτες (όταν οι ίδιοι φυλάσσονται με αστυνομικούς που πληρώνει το Ελληνικό κράτος).
Γ). Τόσο ο Μάκης Τριανταφυλλόπουλος - με τις συχνές αθλιότητες που διαπράττει - όσο και ο Γιώργος Ψαρράς ως σύμβουλος διοίκησης που στηρίζει - χωρίς μισθό - την προσπάθεια που κάνει ο πρώτος να σπιλώνει κόσμο, έχουν κριθεί από την δικαιοσύνη για προσωπικές τους υποθέσεις.
Δ). Την ίδια ώρα που γίνονται έφοδοι σε σπίτια για πλημμελήματα το πολιτικό σύστημα συγκαλύπτει όσους οφείλουν στο δημόσιο τεράστια ποσά ή εμπλέκονται σε σκάνδαλα με εικονικά τιμολόγια.
Γνωρίζοντας την πραγματικότητα σε όσα μου καταμαρτυρά ο κ.Γ.Ψαρράς ζητώ να γίνει δεκτό το αίτημα της άμεσης εξέτασης των υπολογιστών που μου κατασχέθηκαν για να μπορέσει η δικαιοσύνη να αποδώσει το δίκαιο το συντομότερο δυνατό.
Η πολιτεία και η Ελληνική Αστυνομία έχουν χρέος να το κάνουν απέναντι σε έναν πολίτη που προσβάλλεται βάναυσα από τον φασιστικό νόμο που επιτρέπει την νόμιμη "εισβολή" αστυνομικών σε σπίτια και γραφεία σαν να πρόκειται για εξάρθρωση μέλους τρομοκρατικής οργάνωσης ή εμπόρων ναρκωτικών (ή και άλλων σοβαρών κακουργημάτων).
Υ.Γ.1: Δυστυχώς για τον Μάκη και τον Ψαρρά θα κάνω κούλουμα στο σπίτι μου…
Υ.Γ2: Θα παρακαλούσα όλους τους επώνυμους δημοσιογράφους να μην επικοινωνήσουν ξανά μαζί μου για οποιαδήποτε μεσολάβηση μου σε θέματα που τους αφορούν. Η σιωπή τους σε αυτό το μείζον θέμα δείχνει την κουλτούρα και την ποιότητα τους.
2.11.2010
EUROLAND....
FROM YANNIS IOANNOU, GREECE'S TOP CARTOONIST, COMIC CREATOR....
2.10.2010
EXTREME RIGHT WING AND ANTI-SEMITIC PROFESSOR KONSTANTINOS PLEURIS ON THE PAYROLL...
2.09.2010
"THE COVE"
The screening, set for Feb. 28 at Sunset Bronson Studios in Hollywood, is aimed at focusing attention on two organizations that were instrumental in the pic's production: the Oceanic Preservation Society, which is operated by "Cove" director Louie Psihoyos, and the Sea Shepherd Conservation Society.
Kramer selected "Cove" for inclusion because the film has heightened awareness about the killing of dolphins, particularly in the Japanese news media.
"The horrifying practice is so entrenched that it is not going to be stopped overnight, but I believe 'The Cove' will make a significant impact," said actress and producer Kat Kramer, founder of the series.
Written by Mark Monroe, "Cove" was produced by Fisher Stevens and associate produced by Charles Hambleton. The film has received numerous awards and is nominated for the feature documentary Oscar.
2.08.2010
NIKKI FINKE EXCLUSIVE: TERMINATOR RIGHTS ARE SOLD TO DEBT-OWNER PACIFICOR...
2.06.2010
UNFAIR TREATMENT...

2.04.2010
FRAUD CHARGES AGAINST BANK OF AMERICA....
New York Attorney General Andrew Cuomo filed fraud charges against Bank of America and its former top executives this morning, alleging the bank manipulated the company's shareholders and the federal government in order to carry out a merger with Merrill Lynch.
According to the lawsuit, former CEO Ken Lewis and former CFO Joe Price hid more than $16 billion worth of losses at Merrill from shareholders in order to ensure their approval of the merger. But after shareholders voted to buy the ailing firm, the bank approached the government to demand an infusion of taxpayer cash. Without bailout funds, they told regulators, BofA would be unable to complete the merger. The government capitulated and funneled $20 billion of TARP money into the bank.
Attorney General Cuomo called Bank of America's conduct "a classic example of how the actions of our nation's largest financial institutions led to the near-collapse of our financial system":
2.02.2010
ACADEMY NOMINATIONS...
(Pictured: "THE COVE" directed by Louie Psychogios is up for Best Documentary).FOLLOW THE LINK FOR MORE:
http://www.deadline.com/hollywood/nominations-for-82nd-academy-awards/
1.31.2010
BIGELOW FIRST FEMALE FILM DIRECTOR TO WIN DGA AWARD
Norman Jewison received the 2010 Lifetime Achievement Award, while Disney's Bob Iger and Warner Bros' Barry Meyer were given the 2010 Honorary Life Membership Awards.
Documentary: Louie Psihoyos for The Cove (Oceanic Preservation Societyand Roadside Attractions)
TV drama series: Lesli Linka Glatter for "Guy Walks Into An Advertising Agency" episode of Mad Men (AMC). Directorial Team: Unit Production Manager Dwayne Shattuck, First Assistant Director Adam Ben Frank, Second Assistant Director Jessica L. Lowrey, Second Second Assistant Director Elion S. Olson.
TV movie: Ross Katz for Taking Chance (HBO). Directorial Team: Unit Production Manager Lori Keith Douglas, First Assistant Director Robert C. Albertell, Second Assistant Director Vanessa Hoffman, Assistant Unit Production Manager Carla Raij, Second Second Assistant Director Brendan Walsh
TV comedy series: Jason Winer for the pilot of Modern Family (ABC). Directorial Team: Unit Production Manager Howard Griffith, First Assistant Director Lisa Statman, Second Assistant Director Helena Lamb, Second Second Assistant Director Shannon Speaker.
Musical variety: Don Mischer for We Are One: The Obama Inaugural Celebration at the Lincoln Memorial (HBO). Directorial Team: Associate Directors Gregg M. Gelfand, Lori Margules; Stage Managers Arthur E. Lewis, Dency L. Nelson, Douglas P. Smith, Tammy Raab, Douglas M. Fogel, Jeffrey Pearl, Lauren Schneider, Karen T. Weiss, Chris Hines, Elise Reaves
Daytime serials: Christopher Goutman for the now cancelled As The World Turns (CBS). Directorial Team: Associate Directors Michael Kerner, Carol Sedwick; Stage Managers Nancy Barron, Jennifer Blood; Production Associates Brett Hellman, Alexandra Von Roalsvig, Jared Lynch
Reality TV: Craig Borders for Build It Bigger Season 3: Hong Kong Bridge (Discovery Science)
Children's programming: Allison Liddi-Brown for Princess Protection Program (Disney Channel). Directorial Team: Unit Production Manager Carlos Anibal Vázquez; First Assistant Director José Gilberto Molinari-Rosaly; Second Assistant Director Colleen Comer
Commercials: Tom Kuntz of MJZ UK
1.28.2010
J.D.SALINGER LEFT BEHIND A WORLD OF PHONIES...

NEW YORK -- J.D. Salinger, the legendary author, youth hero and fugitive from fame whose "The Catcher in the Rye" shocked and inspired a world he increasingly shunned, has died. He was 91.Salinger died of natural causes at his home on Wednesday, the author's son said in a statement from Salinger's literary representative. He had lived for decades in self-imposed isolation in the small, remote house in Cornish, N.H."The Catcher in the Rye," with its immortal teenage protagonist, the twisted, rebellious Holden Caulfield, came out in 1951, a time of anxious, Cold War conformity and the dawn of modern adolescence. The Book-of-the-Month Club, which made "Catcher" a featured selection, advised that for "anyone who has ever brought up a son" the novel will be "a source of wonder and delight -- and concern."Enraged by all the "phonies" who make "me so depressed I go crazy," Holden soon became American literature's most famous anti-hero since Huckleberry Finn. The novel's sales are astonishing -- more than 60 million copies worldwide -- and its impact incalculable. Decades after publication, the book remains a defining expression of that most American of dreams -- to never grow up.Salinger was writing for adults, but teenagers from all over identified with the novel's themes of alienation, innocence and fantasy, not to mention the luck of having the last word. "Catcher" presents the world as an ever-so-unfair struggle between the goodness of young people and the corruption of elders, a message that only intensified with the oncoming generation gap.Novels from Evan Hunter's "The Blackboard Jungle" to Curtis Sittenfeld's "Prep," movies from "Rebel Without a Cause" to "The Breakfast Club," and countless rock 'n' roll songs echoed Salinger's message of kids under siege. One of the great anti-heroes of the 1960s, Benjamin Braddock of "The Graduate," was but a blander version of Salinger's narrator.The cult of "Catcher" turned tragic in 1980 when crazed Beatles fan Mark David Chapman shot and killed John Lennon, citing Salinger's novel as an inspiration and stating that "this extraordinary book holds many answers."By the 21st century, Holden himself seemed relatively mild, but Salinger's book remained a standard in school curriculums and was discussed on countless Web sites and a fan page on Facebook.Salinger's other books don't equal the influence or sales of "Catcher," but they are still read, again and again, with great affection and intensity. Critics, at least briefly, rated Salinger as a more accomplished and daring short story writer than John Cheever.The collection "Nine Stories" features the classic "A Perfect Day for Bananafish," the deadpan account of a suicidal Army veteran and the little girl he hopes, in vain, will save him. The novel "Franny and Zooey," like "Catcher," is a youthful, obsessively articulated quest for redemption, featuring a memorable argument between Zooey and his mother as he attempts to read in the bathtub."Catcher," narrated from a mental facility, begins with Holden recalling his expulsion from a Pennsylvania boarding school for failing four classes and for general apathy.He returns home to Manhattan, where his wanderings take him everywhere from a Times Square hotel to a rainy carousel ride with his kid sister, Phoebe, in Central Park. He decides he wants to escape to a cabin out West, but scorns questions about his future as just so much phoniness."I mean how do you know what you're going to do till you do it?" he reasons. "The answer is, you don't. I think I am, but how do I know? I swear it's a stupid question.""The Catcher in the Rye" became both required and restricted reading, periodically banned by a school board or challenged by parents worried by its frank language and the irresistible chip on Holden's shoulder."I'm aware that a number of my friends will be saddened, or shocked, or shocked-saddened, over some of the chapters of 'The Catcher in the Rye.' Some of my best friends are children. In fact, all of my best friends are children," Salinger wrote in 1955, in a short note for "20th Century Authors.""It's almost unbearable to me to realize that my book will be kept on a shelf out of their reach," he added.Salinger also wrote the novellas "Raise High the Roof Beam, Carpenters" and "Seymour -- An Introduction," both featuring the neurotic, fictional Glass family which appeared in much of his work.His last published story, "Hapworth 16, 1928," ran in The New Yorker in 1965. By then he was increasingly viewed like a precocious child whose manner had soured from cute to insufferable. "Salinger was the greatest mind ever to stay in prep school," Norman Mailer once commented.In 1997, it was announced that "Hapworth" would be reissued as a book -- prompting a (negative) New York Times review. The book, in typical Salinger style, didn't appear. In 1999, New Hampshire neighbor Jerry Burt said the author had told him years earlier that he had written at least 15 unpublished books kept locked in a safe at his home."I love to write and I assure you I write regularly," Salinger said in a brief interview with the Baton Rouge (La.) Advocate in 1980. "But I write for myself, for my own pleasure. And I want to be left alone to do it." (...)
J.D.SALINGER LEFT BEHIND A WORLD OF PHNOIE
NEW YORK -- J.D. Salinger, the legendary author, youth hero and fugitive from fame whose "The Catcher in the Rye" shocked and inspired a world he increasingly shunned, has died. He was 91.Salinger died of natural causes at his home on Wednesday, the author's son said in a statement from Salinger's literary representative. He had lived for decades in self-imposed isolation in the small, remote house in Cornish, N.H."The Catcher in the Rye," with its immortal teenage protagonist, the twisted, rebellious Holden Caulfield, came out in 1951, a time of anxious, Cold War conformity and the dawn of modern adolescence. The Book-of-the-Month Club, which made "Catcher" a featured selection, advised that for "anyone who has ever brought up a son" the novel will be "a source of wonder and delight -- and concern."Enraged by all the "phonies" who make "me so depressed I go crazy," Holden soon became American literature's most famous anti-hero since Huckleberry Finn. The novel's sales are astonishing -- more than 60 million copies worldwide -- and its impact incalculable. Decades after publication, the book remains a defining expression of that most American of dreams -- to never grow up.Salinger was writing for adults, but teenagers from all over identified with the novel's themes of alienation, innocence and fantasy, not to mention the luck of having the last word. "Catcher" presents the world as an ever-so-unfair struggle between the goodness of young people and the corruption of elders, a message that only intensified with the oncoming generation gap.Novels from Evan Hunter's "The Blackboard Jungle" to Curtis Sittenfeld's "Prep," movies from "Rebel Without a Cause" to "The Breakfast Club," and countless rock 'n' roll songs echoed Salinger's message of kids under siege. One of the great anti-heroes of the 1960s, Benjamin Braddock of "The Graduate," was but a blander version of Salinger's narrator.The cult of "Catcher" turned tragic in 1980 when crazed Beatles fan Mark David Chapman shot and killed John Lennon, citing Salinger's novel as an inspiration and stating that "this extraordinary book holds many answers."By the 21st century, Holden himself seemed relatively mild, but Salinger's book remained a standard in school curriculums and was discussed on countless Web sites and a fan page on Facebook.Salinger's other books don't equal the influence or sales of "Catcher," but they are still read, again and again, with great affection and intensity. Critics, at least briefly, rated Salinger as a more accomplished and daring short story writer than John Cheever.The collection "Nine Stories" features the classic "A Perfect Day for Bananafish," the deadpan account of a suicidal Army veteran and the little girl he hopes, in vain, will save him. The novel "Franny and Zooey," like "Catcher," is a youthful, obsessively articulated quest for redemption, featuring a memorable argument between Zooey and his mother as he attempts to read in the bathtub."Catcher," narrated from a mental facility, begins with Holden recalling his expulsion from a Pennsylvania boarding school for failing four classes and for general apathy.He returns home to Manhattan, where his wanderings take him everywhere from a Times Square hotel to a rainy carousel ride with his kid sister, Phoebe, in Central Park. He decides he wants to escape to a cabin out West, but scorns questions about his future as just so much phoniness."I mean how do you know what you're going to do till you do it?" he reasons. "The answer is, you don't. I think I am, but how do I know? I swear it's a stupid question.""The Catcher in the Rye" became both required and restricted reading, periodically banned by a school board or challenged by parents worried by its frank language and the irresistible chip on Holden's shoulder."I'm aware that a number of my friends will be saddened, or shocked, or shocked-saddened, over some of the chapters of 'The Catcher in the Rye.' Some of my best friends are children. In fact, all of my best friends are children," Salinger wrote in 1955, in a short note for "20th Century Authors.""It's almost unbearable to me to realize that my book will be kept on a shelf out of their reach," he added.Salinger also wrote the novellas "Raise High the Roof Beam, Carpenters" and "Seymour -- An Introduction," both featuring the neurotic, fictional Glass family which appeared in much of his work.His last published story, "Hapworth 16, 1928," ran in The New Yorker in 1965. By then he was increasingly viewed like a precocious child whose manner had soured from cute to insufferable. "Salinger was the greatest mind ever to stay in prep school," Norman Mailer once commented.In 1997, it was announced that "Hapworth" would be reissued as a book -- prompting a (negative) New York Times review. The book, in typical Salinger style, didn't appear. In 1999, New Hampshire neighbor Jerry Burt said the author had told him years earlier that he had written at least 15 unpublished books kept locked in a safe at his home."I love to write and I assure you I write regularly," Salinger said in a brief interview with the Baton Rouge (La.) Advocate in 1980. "But I write for myself, for my own pleasure. And I want to be left alone to do it."
1.24.2010
1.23.2010
WRITERS IN TV WIN $70M DISCRIMINATION SUIT...
Two dozen entertainment firms said Friday they have agreed to pay $70 million to settle age discrimination claims by 165 television writers over the age of 40 in the largest settlement of its kind.
The defendants include 17 television networks and production companies, including ABC, CBS, Fox and NBC, and seven talent agencies including the now-merged William Morris Endeavor Entertainment, Gersh and UTA.
The settlement caps nearly a decade of court battles. Just one outstanding case, against Creative Artists Agency, remains.
The writers said the defendants refused to hire or represent them because of their age. When they were represented, the writers alleged their agents didn't present them aggressively to studios for job openings.
The money covers attorneys' fees and damages, and writers must apply to access the funds. It was not immediately clear how much each plaintiff was entitled to receive.
About $2.5 million will go to a fund that will give writers grants and loans to further their careers, and to study ways to supplement pensions and improve medical coverage.
Two-thirds of the settlement money is being covered by insurance carriers...
1.13.2010
1.09.2010
ETZ HAYYIM SYNAGOGUE IN CHANIA OF CRETE, GREECE BURNT DOWN BY ARSONISTS...
ETZ HAYYIM DIRECTOR
(...)We have tried at Etz Hayyim to be a small presence in the midst of what is at times almost aggressive ignorance. We have done this to such a degree that our doors are open from early in the morning until late in the day so that the Synagogue assumes its role as a place of prayer, recollection and reconciliation. In many ways we have been successful through this quiet presence – perhaps our ‘silent presence’ wears not too well on some and is even a source of annoyance to others. Often I have pointed out that we are perhaps the only synagogue of significance in Greece, possibly Europe, where there is little if any overt sign of protective security. Hand-bags are not checked, ID cards and passports are not examined, and one is not obliged to sign in. This character of the Synagogue must not change and the doors must remain open – or we have given in to the ignorance that has perpetrated this desecration. Our awareness of what ignorance can do to us will certainly determine how certain repairs are to be made – but at the same time we must be cautious about allowing ignorance to affect or determine the nature of our presence. We will have a heavy burden of funding the necessary renovations and we hope that you as either old friends or new ones will assist us.Any donations will be deeply appreciated and, of course, welcome.
ALPHA BANK (Hania, Crete)Account name: Friends of Etz HayyimAccount # 776-002101-087154IBAN: GR74 0140 6600 7760 0210 1087 154Nicholas Hannan-Stavroulakis / Director Etz Hayyim Synagogue/ HaniaIn the USA, tax-deductible charitable contribution will also be received by the International Survey of Jewish Monuments (ISJM).
Checks can be sent to ISJM, P.O. Box 210, 118 Julian Place, Syracuse, NY 13210. Write "Hania" on the memo line. 100% of all funds will be transferred for use by Etz Hayyim.
1.07.2010
DGA AWARDS 2009

The nominees are (in alphabetical order):
Kathryn Bigelow, The Hurt Locker (Summit Entertainment)
Ms. Bigelow's Directorial Team:
Unit Production Manager: Tony Mark
First Assistant Director: David Ticotin
First Assistant Director (Canadian Unit): Lee Cleary
This is Ms. Bigelow's first DGA Feature Film Award Nomination.
James Cameron, Avatar (Twentieth Century Fox)
Mr. Cameron's Directorial Team:
Unit Production Manager: Colin Wilson
First Assistant Director: Josh McLaglen
Second Assistant Director/Add'l Unit First Asst Director: Maria Battle Campbell
This is Mr. Cameron's second DGA Feature Film Award Nomination. He previously won the Feature Film Award for Titanic in 1997.
Lee Daniels, Precious: Based on the Novel "Push" by Sapphire (Lionsgate)
Mr. Daniels' Directorial Team:
Unit Production Manager: Tony Hernandez
First Assistant Director: Chip Signore
Second Assistant Director: Tracey Hinds
Second Second Assistant Director: Michael "Boogie" Pickney
Additional Unit Production Manager: Patrick D. Gibbons
Additional First Assistant Director: Tom Fatone
Additional Second Assistant Directors: Kim Thompson, Mirashyam Blakeslee
Location Manager: Gregory Routt
This is Mr. Daniels' first DGA Feature Film Award Nomination.
Jason Reitman, Up In The Air (Paramount Pictures)
Mr. Reitman's Directorial Team:
Unit Production Manager: Michael Beugg
First Assistant Director: Jason Blumenfeld
Second Assistant Director: Sonia Bhalla
Assistant Unit Production Manager: Samson Mucke
Second Second Assistant Director: Joseph Payton
Additional Second Assistant Director: Heather L. Hogan
This is Mr. Reitman's first DGA Feature Film Award Nomination.
Quentin Tarantino, Inglourious Basterds (Weinstein Co/Universal Pictures)
Mr. Tarantino's Directorial Team:
Unit Production Manager: Gregor Wilson
Unit Production Manager (Germany): Michael Scheel
First Assistant Director: Carlos Fidel
Second Assistant Director: Miguel Angelo Pate
Second Second Assistant Directors: Jill Moriarty, Tanja Däberitz
This is Mr. Tarantino's second DGA Feature Film Award Nomination. He was previously nominated in this category for Pulp Fiction in 1994.
*The six exceptions are as follows:
1968: Anthony Harvey won the DGA Award for The Lion in Winter while Carol Reed took home the Oscar® for Oliver!
1972: Francis Ford Coppola received the DGA's nod for The Godfather while the Academy selected Bob Fosse for Cabaret.
1985: Steven Spielberg received his first DGA Award for The Color Purple while the Oscar® went to Sydney Pollack for Out of Africa.
1995: Ron Howard was chosen by the DGA for his direction of Apollo 13 while Academy voters selected Mel Gibson for Braveheart.
2000: Ang Lee won the DGA Award for his direction of Crouching Tiger, Hidden Dragon while Steven Soderbergh won the Academy Award for Traffic.
2002: Rob Marshall won the DGA Award for Chicago while Roman Polanski received the Academy Award for The Pianist.
1.05.2010
NATIONAL SOCIETY OF FILM CRITICS AWARDS: BEST DIRECTOR KATHRYN BIGELOW "THE HURT LOCKER"


Picture: The Hurt Locker (Summit)
Director: Kathryn Bigelow, The Hurt Locker
Actor: Jeremy Renner, The Hurt Locker
Actress: Yolande Moreau, Seraphine (Music Box)
Supporting Actor: Christoph Waltz, Inglourious Basterds (Weinstein/Universal), and Paul Schneider, Bright Star (Apparition)
Supporting Actress: Mo'Nique, Precious (Lionsgate)
Screenplay: Joel and Ethan Coen, A Serious Man (Focus)
Foreign-Language Film: Summer Hours (IFC)
Nonfiction Film: The Beaches of Agnes (Cinema Guild)
Cinematography: Christian Berger, The White Ribbon (Sony Classics)
Production design: Nelson Lowry, Fantastic Mr. Fox (Fox)
PRODUCERS GUILD NOMINATIONS

The nominated films and programs are listed below in alphabetical order by category, along with producers. The producers' names listed for each nominated production are listed in alphabetical order and are not necessarily the proper order of credits:
Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures:
AVATAR (Fox)
Producers: James Cameron, Jon Landau
DISTRICT 9 (Sony)
Producers: Carolynne Cunningham, Peter Jackson
AN EDUCATION (Sony Classics)
Producers: Finola Dwyer, Amanda Posey
THE HURT LOCKER (Summit)
Producer(s): Awaiting final credit determination.
INGLOURIOUS BASTERDS (Weinstein/Universal)
Producer: Lawrence Bender
INVICTUS (Warner Bros)
Producers: Clint Eastwood, Rob Lorenz, Lori McCreary , Mace Neufeld
PRECIOUS: BASED ON THE NOVEL PUSH BY SAPPHIRE (Lionsgate)
Producers: Lee Daniels, Gary Magness, Sarah Siegel-Magness
STAR TREK (Paramount)
Producers: J.J. Abrams, Damon Lindelof
UP (Disney)
Producer: Jonas Rivera
UP IN THE AIR (Paramount)
Producer(s): Awaiting final credit determination.
PGA Producer of the Year Award in Animated Theatrical Motion Pictures:
9 (Focus)
Producer(s): Awaiting final credit determination.
CORALINE (Focus)
Producer(s): Awaiting final credit determination.
FANTASTIC MR. FOX (Fox)
Producer(s): Awaiting final credit determination.
THE PRINCESS AND THE FROG (Disney)
Producer: Peter Del Vecho
UP (Disney)
Producer: Jonas Rivera
PGA Producer of the Year Award in Documentary Theatrical Motion Pictures:
BURMA VJ
Producer: Lise Lense-Moller
The COVE
Producers: Paula DuPre Pesman, Fisher Stevens
SERGIO
Producer(s): Awaiting final credit determination.
SOUNDTRACK FOR A REVOLUTION
Producer(s): Awaiting final credit determination.
David L. Wolper Producer of the Year Award in Long-Form Television*:
GEORGIA O'KEEFFE
Producer(s): Awaiting final credit determination.
GREY GARDENS
Producers: David Coatsworth, Lucy Donnelly, Rachael Horovitz, Michael Sucsy
LITTLE DORRIT
Producers: Lisa Osborne, Anne Pivcevic
PRAYERS FOR BOBBY
Producers: Stanley M. Brooks, Damian Ganczewski, David Permut, Daniel Sladek, Chris Taaffe
THE PRISONER
Producer(s): Awaiting final credit determination.
TAKING CHANCE
Producers: Lori Keith Douglas, Ross Katz, Brad Krevoy, Cathy Wischner-Sola
*Special note: The Long-Form Television category encompasses both movies of the week and mini series. The eligibility period for this category was January 1, 2009 through December 31, 2009.
In November 2009, the PGA Awards announced the nominations for Television Series and Non-fiction categories.
COPERNICUS (FROM AIN'T IT COOL NEWS) ON THE SCIENCE OF JIM CAMERON'S AVATAR:
http://www.aintitcool.com/node/43440
....I’ll address the different aspects of the science in sections.
FLORA AND FAUNA
From a visual perspective, Avatar’s Pandora is breathtaking. While
most movies have only hinted at the exotic nature of their worlds with
an establishing matte painting or two, here Cameron takes us on an
elaborate three-dimensional tour though various habitats, from the
treetops to the forest floor. He’s created a whole ecosystem, from
semi-intelligent trees to giant land and air creatures. Most seem
inter-related via symbiotic relationships. In fact, Cameron has taken
the Gaia hypothesis, that the biosphere of the Earth is itself a kind
of living entity, and sexed it up – the biosphere of Pandora is
essentially a god, and it’s networked! Creatures can plug into each
other via what amounts to USB hair and fiber optic roots. While some
of these ideas are not without their faults (see below), Cameron gets
points for creativity – this is true science fiction, not space opera.
I do have one minor complaint, that given their networking abilities,
the Na’vi should not be so technologically inferior to the humans. On
Earth, the largest barrier to technological progression was that
information that existed in the brains of primitive humans could not
be easily shared or preserved. As soon as writing was developed,
suddenly it was possible to store information outside of the brain,
and record and build upon knowledge. The knowledge available to a
human or tribe went from one brain’s worth (and a minimal amount of
oral tradition), to thousands, and ultimately billions of brains’
worth. The result was a technological and social explosion. Hominids
have had technology like spears for about half a million years, but
only 7,000 years after the development of writing we had left the
planet. And the sharing of knowledge is still undergoing a revolution
with the development of the internet. Now we have instantaneous
access to the combined knowledge of the entire history of humanity.
Since the Na’vi have had the ability to download information and share
it in a massive network for long periods of time (evolutionary
timescales), they should be way ahead of us in terms of technological
development. Still, I have to give Cameron a pass here. It is
thematically necessary that the Na’vi are technologically primitive,
and their root-network is necessary to the plot. Maybe you could say
that they could have evolved more technology, but they don’t need it
or want it. Still, that reeks of the “Noble savage” idea, and I have
to agree with Stephen Pinker that that is a bunch of hoo-ha.
But my major complaint from an evolutionary standpoint is that there
is no way in hell that life on Pandora would evolve to look so similar
to Earth life: there are humanoids, space horseys, hammerhead
rhinoceri, and pseudo-pterodactyl beasties. And to make it worse,
they have DNA, and the DNA is close enough to our own that Na’vi and
human DNA can be combined! Again, I have to give Cameron a pass.
First, it is easier for the audience to relate to familiar things.
And more than that there is a significant plot point that I won’t
spoil towards the end of the film that hinges on humans and Na’vi
having similar DNA.....(...)
12.30.2009
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A VIDEO BY EUGENE JARECKI AND HUFFINGTON POST












